Schuyler M. Moore ("Sky") is a partner in the corporate entertainment department of Greenberg Glusker, practicing entertainment, corporate, and tax law.  Sky holds his undergraduate degree from UCLA (Phi Beta Kappa, Summa Cum Laude) and his law degree also from UCLA (first in class). He has been practicing in the entertainment industry since 1981, and he represents a broad spectrum of clients throughout the entertainment industry, including producers, sales agents, foreign distributors, and financiers. Sky has handled some of the largest financing transactions in Hollywood, including Reliance’s investment in DreamWorks, the Ratpac-Dune slate financing for Warner Brothers, the Hemisphere slate financing for Sony and Paramount, and the Hunan Group slate financing for Lionsgate. He is the author of several books, including The Biz: The Basic Business, Legal, and Financial Aspects of the Film Industry, a popular book in its 5th edition, Taxation of the Entertainment Industry, the leading treatise on that topic, and What They Don’t Teach You in Law School. He was an adjunct professor at the UCLA School of Law and Business School and an adjunct professor at the USC School of Law, and he is a frequent speaker and writer on a wide variety of entertainment topics. Sky has been named a "Power Lawyer" by the Hollywood Reporter; included in Variety's "Dealmakers Impact Report" and "Legal Impact Report" and named a leading lawyer in the area of Entertainment and Media: Transactional, recognized as one of the top 100 lawyers in California by the Daily Journal, and named one of the top three "Most Influential Lawyers" in media by the National Law Journal. In 2019, he was named a lifetime “Legal Legend” by The Hollywood Reporter.

Marc Guggenheim, EP/Producer/Writer: A native of Long Island, New York, Guggenheim practiced law at one of Boston’s most prestigious firms before getting hired on the writing staff of David E. Kelley’s Emmy-winning show about Boston attorneys, “The Practice.” Guggenheim then joined “Law & Order,” where he wrote for three seasons before moving on to the critically acclaimed series “Jack & Bobby,” and later, the ratings juggernaut “CSI: Miami.” It was “Jack & Bobby” that introduced Guggenheim to Greg Berlanti, and the two resolved to create a show together, a pact which led to the development of “Eli Stone,” for which they received a Writers Guild Award nomination for Best Drama Teleplay. While producing the “Eli Stone” pilot, Berlanti pulled Guggenheim in to help him produce the first season of “Brothers & Sisters.” Guggenheim has continued to collaborate with Berlanti on the feature film versions of the DC Comics characters Green Lantern and The Flash. “Green Lantern” was released as a major motion picture starring Ryan Reynolds in June 2011. Guggenheim also served as executive producer of two other television pilots for Berlanti Television: “No Ordinary Family” and “Guilty,” the latter of which Guggenheim created. Last year, Marc Guggenheim served as showrunner and Executive Producer of Amazon’s “Carnival Row,” starring Orlando Bloom and Cara Delevingne. He also executive produces the “Tales of Arcadia” trilogy series for Netflix alongside acclaimed director Guillermo del Toro. The third series in the trilogy, “Wizards,” will premiere on Netflix in July. (Guggenheim won an Emmy for “Best Writing In An Animated Program” for his work on the first series in the trilogy, “Trollhunters.”) 2019 was a prolific year for Marc. In addition to showrunning the CW’s epic five-show crossover, “Crisis On Infinite Earths,” he added “director” to his résumé, having just wrapped production on Episode 514 of DC’s Legends of Tomorrow (which he co-created). While maintaining a successful career in television, Guggenheim has pursued a parallel career as a screenwriter, with such diverse projects as the film adaptation of “Percy Jackson: Sea of Monsters” (2013), a feature film version of “Perry Mason” for Robert Downey Jr., and an adaptation of Robert A. Heinlein’s sci-fi classic “The Moon is a Harsh Mistress.” He is currently at work on an adaptation of the beloved “Choose Your Own Adventure” book series for 20th Century Films/Disney. 2014 marked Guggenheim’s entry into the world of prose, publishing his first novel “Overwatch” (Mulholland Books/Little, Brown), which Publisher’s Weekly called “a high energy debut…[which] will appeal to readers who appreciate an underdog.” A life-long comic book fan, Guggenheim has been writing comics professionally for over ten years, working on titles for both Marvel Comics (“Blade,” “X-Men,” “Amazing Spider-Man,” “Agents of S.H.I.E.L.D.”), DC Comics (“The Flash,” “Justice Society of America,” “Batman Confidential”), and original creator-owned works (“Resurrection,” “Halcyon,” “Nowhere Man,” “Jonas Quantum,” “Stringers”). Guggenheim is continually exploring other mediums. He’s written the scripts for numerous videogames, including “Call of Duty 3,” “X-Men Origins: Wolverine” and “Singularity.” (Wolverine and Singularity were nominated for consecutive WGA Awards.) In 2008, he adapted a Stephen King short story “N.” into a Marvel Comics graphic novel and a 25-part mobisode series that was available online and through iTunes. Guggenheim currently lives in Los Angeles with his wife Tara, a fellow TV writer and WGA nominee, who is co-creator of The CW dramedy “Reaper,” their daughters Lily and Sara, and their pets Rocky, Lucky, Finn, and Jarvis.

Peter Csathy is a leading expert on the intersection between tech and entertainment/media. He's chairman of Creative Media (https://creativemedia.biz/), a boutique media, entertainment and tech law and business advisory firm. Peter has worn just about every “hat” in his career – studio executive and General Counsel at Universal Studios, serial entrepreneur and CEO of several pioneering tech-forward media companies that achieved successful exits, dealmaker and advisor who has negotiated transactions valued at over $3 billion. He frequently writes and speaks about the intersection of AI and entertainment.

Chris McGuire is a veteran comedy showrunner, writer and producer with 20+ years’ experience across traditional and digital platforms. Throughout his career, Chris has worked with both established and emerging talent to bring their comedic voices to diverse audiences. Chris has served as Executive Producer for several scripted & semi-scripted talk and sketch shows fronted by comedians, including “The Burn with Jeffrey Ross,” “Not Safe with Nikki Glaser,” and “Mind of Mencia.” On these projects, his experience included taking shows from pitch to pick-up and supervising creative, production, field teams, budget, digital and post.   He has written for seven of the Emmy Nominated Comedy Central Roast series and was the Head Writer for the highly rated roast of Justin Bieber. His work on the roasts has allowed him to produce some of the biggest names in entertainment. Chris helped launch two late night talk shows hosted by comedians: George Lopez (for TBS) and Arsenio Hall (for CBS Television Distribution). Later, he served as Executive Producer for the Emmy Nominated and critically acclaimed talk / cooking show Martha and Snoop’s Potluck Dinner Party for VH-1. He was also part of the development team for NBC’s Musical Game Show “That’s My Jam.”  Whether in the talk, comedy-variety, sketch, game or food spaces, Chris brings value as an experienced creative manager with an eye for fresh formats and skill with working with talent.

Catherine Clinch’s produced writing credits include: HUNTER, JAKE & THE FATMAN, KNIGHT RIDER, LOVE BOAT, HART TO HART, FOUL PLAY, TRUE CONFESSIONS and, most recently, RESCUE BOTS. She has served for nearly two decades as an Adjunct Assistant Professor, teaching Advanced Video Production, Screenwriting, Communication Theory and Social Media Strategy & Content Marketing at California State University Dominguez Hills. She has written, produced and presented more than 250 hours of LIVE interactive broadcast. She was Associate Publisher of Creative Screenwriting Magazine and was a key organizer of the first five years of Screenwriting Expo. In addition, she has written for Cultural Weekly, Studio System News, Film News Briefs and The Huffington Post. Catherine serves as a media strategy and content advisor to companies through her consultancy Clinch Digital Media. She has moderated panels and / or spoken at numerous conferences in Los Angeles, Nashville and Orlando. Catherine has also been awarded three US Patents for inventing a mobile platform and a new form of mobile entertainment. Catherine is currently writing and developing a project with new IP for Stan Lee’s POW Entertainment.

Brett Leonard is considered one of Hollywood’s most innovative film directors, and is known as one of the entertainment industry’s top digital-media visionaries. Mr. Leonard has recently been named by The Producers Guild of America, in association with Variety Magazine, as one of its “Digital 25”, recognizing the twenty five leading visionaries, innovators and producers who have made significant contributions to the advancement of storytelling through digital media. The Guild’s 4,500 members, including producers of film, television and new media, along with a distinguished Digital 25 Advisory Board, voted Mr. Leonard for this honor. Other recipients include directors James Cameron and Ridley Scott. (see Variety Magazine spread announcing the winners at the end of this document). Mr. Leonard became a globally-recognized pioneer of digital filmmaking when he directed and co-wrote the hit motion picture Lawnmower Man, starring Pierce Brosnan and Jeff Fahey. The film is considered a cult classic, way ahead of its time in the use of groundbreaking computer graphics, and the portrayal of a networked data culture. Lawnmower Man is one of the true progenitors of the “cyber genre” and was the number one commercially successful independent film of 1992, costing under $6 million and earning over $200 million worldwide. Mr. Leonard was a key participant of the Sony 2000 think tank, a small group of media visionaries assembled to discuss the future of media by the top brass of the Sony corporation. He directed Peter Gabriel’s Kiss That Frog, the first HD all computer graphic music video/ride film. Kiss That Frog toured the world as wildly popular theme park attraction, and won Mr. Leonard a 1994 MTV Music Video Award. In 1994 Mr. Leonard co-founded L-Squared Entertainment, a company that became known as a leader in next- generation digital production techniques for the new era of 3D stereoscopic filmmaking. During this time, Mr. Leonard continued to push the envelope in his feature film work, establishing himself as a pioneer of digital visual effects and cutting-edge independent film, and 3D production. He first stepped into the third dimension with his IMAX 3D work, and directed T-Rex: Back To The Cretaceous in IMAX 3D, which was the No.#1 hit 3D movie in history for over ten years, having grossed over $100 million worldwide on IMAX screens alone. It was also the first 3D film to use photo-realistic computer graphics and stereoscopic compositing; techniques that led to the innovations of current 3D film spectaculars such as James Cameron’s Avatar. He then went on to direct Anthony Hopkins in the IMAX 3D spectacular The Magic Box. Mr. Leonard is also known for having a keen eye for new talent, both in front of and behind the camera. He was instrumental in bringing Russell Crowe to American film audiences, giving Russell his first lead in a Hollywood film, Virtuosity, starring Denzel Washington and directed by Mr. Leonard. He did the same for Alicia Silverstone in his film for Tri-Star, Hideaway, and started Rachel Taylor’s career (Transformers, American Horror Story) in his film for Marvel Studios, Man-Thing. Television star, Alex O’Loughlin (lead in the smash-hit series Hawaii Five-O), was given his first break by Brett, and first appeared in Mr. Leonard’s films, Man-Thing and Feed. Mr. Leonard has also been instrumental in dozens of careers behind the camera – Some of the most notable are production designer, Alex McDowell (Minority Report, The Terminal, Watchmen) who’s first feature was Lawnmower Man, and director of photography Russell Carpenter, who went on to win the Academy Award for Titanic. Literally hundreds of computer graphic animators and 3D innovators who are now in the top ranks all got their start on Mr. Leonard’s groundbreaking films. Mr. Leonard is again pioneering new media forms with a musically driven feature film concept for the Internet called PopFictionLife – Believing that new content distribution platforms need their own creative “genres”, Mr. Leonard and his team have focused on creating projects in a style designed specifically for “personal screens” (iPhone, iPad, etc.). PopFictionLife is an Internet movie concept where a music-driven story is told in 5min “Frags” that connect together to form a full-length feature film. A FragFilm is not a typical web series – it delivers the “movie” experience in a form parsed for the short attention spans of the YouTube generation, designed for easy viewing and downloading on the Internet and mobile platforms. FragFilms of the PopFictionLife genre revolve around the actual lives of developing or established music artists, fictionalized in fun and creative ways to have the dramatic impact of a Hollywood movie. This presents the artist and their music in an entertaining and compelling context beyond “reality”, with the style and high production values audiences expect from feature films and television. Mr. Leonard has produced and directed the first two FragFilms of the PopFictionLife concept, entitled Feel (for Hollywood Records/Disney), and The Other Country (for PFL Transmedia), both of which have been distributed world- wide through the Internet.