Click on the Video Below and Sample a Session from a previous Digital Hollywood event. For Additional Video Sessions, Click Here Digital Hollywood Tuesday, October 30th 10:45 AM - Noon - Special Workshops Workshop A: The Arrival of 3D - Digital 3D Platform for Feature Films and Television Jason Clark, Dreamworks, Producer of Monster House Bob Mayson, General Manager, Kodak Digital Motion Imaging, and Vice President, Entertainment Imaging for Eastman Kodak Tony Adamson, Manager, DLP Cinema® Marketing, Texas Instruments, Inc. Howard Postley, COO/CTO, 3Ality Ted Costas, Director of Production Services, Dolby Joshua Greer, President and Co-Founder, RealD Marty Shindler, President, The Shindler Perspective, Moderator Robert J. Mayson, General Manager, Digital Motion Imaging and Vice President, Entertainment Imaging, Eastman Kodak Company: Bob Mayson is a member of the senior management team in Kodak’s Entertainment Imaging unit with responsibility for all digital motion products and services. Those comprise the company’s emerging digital cinema business, as well as an extensive portfolio of services, including Cinesite Europe Limited in London, LaserPacific Media Corporation in Hollywood, and emerging market laboratory services in Europe and India. Mayson brings more than 30 years of Kodak experience to his leadership role in the emerging digital business. He joined Kodak in his native England in 1971, working first in the consumer photography sector of the company. In the early 1990s, he moved to Kodak’s Entertainment Imaging business, the company unit that provides products and services to customers in the feature movie, television, and commercial production arenas, worldwide. In his first Entertainment Imaging assignment, Mayson served as worldwide segment manager for feature films, leading the team that defined the need for – and developed -- the Kodak Vision family of films, the products that revolutionized image quality in motion pictures. Moving to Hollywood, Mayson was responsible for the marketing and sales of those products and others, and for managing the Western region sales staff, which serves Kodak customers in 10 states. Although Kodak’s involvement with feature film production had always ended in the laboratory, Mayson began to develop business opportunities in the cinema and became Kodak’s first general manager of the Cinema Operations Group. He then returned to London in a worldwide position as general manager of origination products, which involved the development of new and improved film stocks, including additions to the new Kodak Vision2 family of films. Mayson was appointed to his current position in October 2005. He lives in Hollywood and in London. Jason Clark, Dreamworks, Producer of Monster House: Recognized as a hands-on creative producer and industry innovator in the world of live-action/CGI features, Jason Clark currently heads the task force assigned to the mission of incorporating state-of-the art 3-D at Dreamworks Animation. By 2009, Dreamworks is slated to produce and release all animated features in 3-D. Clark is also currently producing a feature length animated version of Jay Ward’s classic MR. PEABODY AND SHERMAN for Dreamworks Animation. Clark executive produced Academy Award nominated MONSTER HOUSE, working with Robert Zemeckis and Steven Spielberg for Columbia Pictures. MONSTER HOUSE, a live action/CGI hybrid motion picture utilizing groundbreaking ‘Performance Capture’ technology, was simultaneously released in 3-D in July 2006. Clark executive produced the box-office hits STUART LITTLE and STUART LITTLE 2. Independently, Clark produced and financed critically acclaimed KILLER DILLER released in early 2006. Clark partnered with director Rob Minkoff (THE LION KING, STUART LITTLE & STUART LITTLE 2) to create Sprocketdyne Entertainment, based at Columbia Pictures. Previously, Clark executive-produced HAPPY TEXAS, an award winning 1999 Sundance Film Festival official entry, which was acquired by Miramax for distribution for a record-breaking amount. Clark’s other production credits include: the cult classic HOMEGROWN (Tri-Star), festival winner SINK OR SWIM (Lion’s Gate) and several other action features starring Jean-Claude Van Damme, including Columbia Picture’s MAXIMUM RISK and Universal’s SUDDEN DEATH and THE QUEST. Clark has extensive experience in physical production and has filmed in a multitude of diverse locations worldwide. Clark got his start working for director Walter Hill. He is a member of the Director’s Guild of America and received his degree in economics from UCLA. Tony Adamson, Manager, DLP Cinema® Marketing, Texas Instruments, Inc.: Tony Adamson, Manager, DLP Cinema® Marketing, Texas Instruments, Inc.: Tony Adamson manages marketing strategy and implements programs for the DLP Cinema® Products group, the fastest growing digital projection technology enabling the very highest quality large-screen projection in entertainment halls, concert venues and movie theatres worldwide. In his current role, Tony develops, executes and analyzes marketing and communication strategies and programs with the motion picture studio and theatrical exhibitors to increase industry and consumer brand awareness and preference for DLP Cinema. With more than 22 years of cinema marketing and management experience, Tony’s work and extensive relationships with theatre circuits, exhibitors and motion picture studios continues to help enable the transition of movie theatres from conventional film presentation to DLP Cinema digital projection that is now widely deployed in thousands of movie theatres world wide. As part of the DLP Cinema deployment initiative, Tony also developed the first-ever strategic customer training program for DLP Cinema targeted at theatrical exhibitors to educate front line theatre employees about the consumer benefits of watching a movie in DLP Cinema. Prior to joining TI DLP Products, Tony held numerous positions at AMC Entertainment, Inc., and was most recently Director of Strategic Marketing where he led consumer affinity and interactive marketing strategies and rekindled AMC’s online brand experience through programs like the 5-million member MovieWatcher program.. Tony also oversaw media and partnership programs for more than 70 AMC megaplex grand openings. He has been recognized with numerous awards for his marketing work in the theatrical exhibition industry, including multiple Hollywood Reporter Showmanship awards, as well as honored by the city and county of Los Angeles for community service programs for public education enhancement. Tony is a member of the Society of Industry Leaders and sits on Board of Directors as the Chairman of the Membership Committee for the Variety Children’s Charity of North Texas. Tony resides in Metro Dallas, Texas. He is an avid golfer and collects antiques and fine art. Joshua Greer, President and Co-Founder, RealD: Joshua Greer, President and Co-Founder, REAL D: Joshua Greer has been identifying new technologies and turning them into profitable products and businesses for over 20 years. As President and Co-Founder of REAL D, Joshua’s ability to recognize early technology and market trends, quickly locking up critical IP, has allowed REAL D to quickly become the standard for 3D presentations. Previously, Greer was Co-Founder and Chief Convergence Officer of Walden Media, where he was responsible for overseeing all of the company’s technology and infrastructure, and was involved in the development of such films as The Chronicles of Narnia, Holes, and Charlotte’s Web, as well as James Cameron's’ 3D documentaries for IMAX, Ghosts of the Abyss and Aliens of the Deep. It was his work with Cameron, designing the first all-digital 3D projection system, which first inspired him to create REAL D along with Michael Lewis. Prior to that, Greer was President of Digital Domain’s New Media Group, where he was responsible for overseeing all of the company’s cutting edge products including the highly successful Barbie Fashion Designer Series and Lego Logic. At Digital Domain, he also produced the first-ever streaming media site for General Motors. Prior to Digital Domain, Greer was CEO and Co-Founder of Digital Planet, the award-winning digital design studio. It was during that time Mr. Greer navigated the twin worlds of entertainment and technology and was responsible for bringing the company’s studio clients into the digital age, designing and implementing web strategies for MCA/Universal, MGM/UA, 20th Century Fox and Sony. While at Digital Planet, Greer also oversaw the design of the first 300 DVD titles, helping Warner Brothers launch the DVD market in 1998. He has spoken to audiences around the world on turning technologies into products and businesses and participates on a number of key standards groups including SMPTE, ATSC, IEEE, and SPIE. Ted Costas, Director of Production Services, Dolby Laboratories, Inc.: AsDirector of Production Services at Dolby, Ted Costas oversees the company’s worldwide Print Checking Service, which ensures picture and sound quality for major studio releases. In addition, he spearheads Dolby’s Theatre Presentation Inspection Service, which also ensures the highest possible quality of theatrical presentation of a given film. Ted works directly with the film Studios’ Post Production and Distribution arms on Digital Cinema Services and Dolby’s 3D Technology Services. He is a member of many industry committees and was the President of the Inter-Society from 2004 to 2007. Previous to that, Ted worked at Lucasfilm and oversaw all film lab and digital cinema activity on “Episode 1” and “Episode 2” of Star Wars. Ted helped organize the Pixar Perfect Projection Contests for Pixars last two releases, “The Incredibles” and “Cars”. Most recently, Ted won an Academy Award for his work on the Cyan Dye Track Committee at the 2007 Scientific and Technical Achievement Academy Awards. Marty Shindler, President, The Shindler Perspective: Marty Shindler’s experienc e blends hands on management roles in companies as 20th Century Fox, MGM, Lucasfilm/Industrial Light & Magic and Kodak/Cinesite with professional service work that includes more than 11 years of independent consulting to a wide range of media and technology companies and prior employment in the entertainment practice of Coopers & Lybrand (PriceWaterhouseCoopers). Marty's association with many high profile companies has caused him to accumulate a vast amount of knowledge and experience in many aspects of entertainment, technology and business practices of a myriad of companies. His rare combination of providing professional services and hands-on executive management makes him uniquely qualified to offer a valuable perspective to his clients. Marty is equally effective in both large corporate settings and in small privately held organizations. Visit our web site at iShindler.com where there is a sample listing of the types of projects in which we have been involved, the companies with whom we have worked and our credentials. There is also a collection of articles on business and management topics that have been published.